M. Luciana Lombardi

Books, Articles, Papers, Presentations, Program Notes, and Ephemera

• Book on-line: Cantar é Viver / To Sing Is To Live: The Choral Music of Lucília Guimarães Villa-Lobos, 2002. [http://musicandwords.net/lucilia.pdf]
• Program notes, Translations: "Lucília Guimarães Villa-Lobos," 3rd International Festival of Women Composers, University of Florida, Gainesville, 1999.
• Encyclopedia article: "Anita Malfatti" Encyclopedia of Latin American History and Culture, vol. 3, Scribner’s, 1996.
• Encyclopedia article: "Modern Art Week (Brazil)" Encyclopedia of Latin American History and Culture, vol. 4, Scribner’s, 1996.
• Encyclopedia article: "Tarsila do Amaral" Encyclopedia of Latin American History and Culture, vol. 1, Scribner’s, 1996.
• Book reviews: "Gender and the Musical Canon (Cambridge University Press, 1993), Rediscovering the Muses: Women’s Musical Traditions (Northeastern University Press, 1993)," Gender & History, vol.7, no.2, 1995.
• Program notes: "Bach to Baroque" Santa Cruz Chamber Players, 1995.
• Program notes: "La Musica! Four Centuries of Women Making Music" Santa Cruz Chamber Players, 1994.
• Program notes: "Heart’s Ease," Santa Cruz Chamber Players, 1994.
• Program notes: "String Fantasies, Dances & Sonatas," Santa Cruz Chamber Players, 1993.
• Program notes: "Classical Chamber Music from Haydn to Ravel," Santa Cruz Chamber Players, 1992.
• Program notes: "Pleasures of the Gods," Santa Cruz Chamber Players, 1991.
• Program notes: "Evergreen Baroque," Santa Cruz Chamber Players, 1991.
• Program notes: "French Baroque Music and Dance from the Court of the Sun King," Santa Cruz Chamber Players, 1990.
• Program notes: "From Telemann to Haydn: Chamber Music in Transition," Santa Cruz Chamber Players, 1990.
• Series brochure article: “Tenth Anniversary,” a brief history. Santa Cruz Festival of Living Music, 1980; revised, Santa Cruz Baroque Festival, 1981-87.
• Series brochure article: “Instruments, The,” Santa Cruz Festival of Living Music, 1980; revised, Santa Cruz Baroque Festival, 1981-87.
• Quarterly listening guide article: "Listo-o-mania: Personal Top Ten, Classical," KUSP Review, Vol. 6, No. 4, Oct-Nov 1985.
• Newsletter meeting report: "Central America: the Historical Perspective" The Institute for Historical Study Newsletter, Vol. V, No. 3, May-June 1984.
• Program Notes: "Baroque Follies" Santa Cruz Baroque Festival, 1984.
• Program Notes: "Virtuoso Viol—John Hsu," Santa Cruz Festival of Living Music, 1983.
• Program Notes: "Baroque Recital," Community Chamber Music Association, Bloomington, Indiana, 1982.
• Research paper: "Lucília Guimarães Villa-Lobos: Brazilian Composer, Conductor, and Pianist," Western Association of Women Historians, Conference XIV, The Huntington, San Marino, 1982.
• Series brochure article: “Tenth Anniversary,” a brief history. Santa Cruz Festival of Living Music, 1980; revised, Santa Cruz Baroque Festival, 1981-87.
• Series brochure article: “Instruments, The,” Santa Cruz Festival of Living Music, 1980; revised, Santa Cruz Baroque Festival, 1981-87.
• Program notes: "Baroque Chamber Music Delights for Early Instruments" UCSC Board of Studies in Music, 1978.
• Ph.D. dissertation: "Women in the Modern Art Movement in Brazil: Salon Leaders, Artists and Musicians, 1917-1930." University of California Los Angeles, 1977.
• Research paper: "Modern Women and Modern Arts in Twentieth Century Brazil" West Coast Association of Women Historians, Conference VIII, Encino, CA, 1976.
• Journal article: "The Frontier in Brazilian History: An Historiographical Essay," Pacific Historical Review, vol. 44, No. 4, November 1975, pp. 437-457.
• Book: Brazilian Serial Documents: a Selective and Annotated Guide, Indiana University Press, 1974.
• Graduate research paper: “Paper: a sacred material in Aztec ritual,” Latin American Studies, Indiana University Bloomington, 1970.

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