● Musician

concert performances—viola da gamba, baryton

(* perform     * * program and perform     * * * program, perform, direct)

• *  “The Golden Age of the Sackbut,” Bill Mathews, Antiquarian Funks, First Congregational Church, Santa Cruz, March 2004 (Cesare, Buona, Hammerschmidt, Pellegrini, Legrenzi, Schuetz).
• *   “Music of Henry Purcell,” George Houle, Fromm Institute for Lifelong Learning, San Francisco, April 2003 (Purcell, Gibbons, Locke).
• *  “Music for Viola da Gamba: English Fantasias for Four Viols,” George Houle, Fromm Institute for Lifelong Learning, San Francisco, May 2002 (Coprario, Jenkins, Purcell).
• *  “Music for Viola da Gamba: English Fantasias for Five Viols,” George Houle, Fromm Institute for Lifelong Learning, San Francisco, May 2002 (Wilbye, Coprario, Jenkins).
• *  “Music for Viola da Gamba: English Fantasias for Three Viols,” George Houle, Fromm Institute for Lifelong Learning, San Francisco, April 2002 (Gibbons, Jenkins).
• ***  “Baroque Duets,” Lombardi, Penny Hanna, Kretschmer Chamber Music Series, Dominican Oaks, Santa Cruz, July 2001 (Telemann, Jenkins, St. Colombe, F. Couperin, Mozart).
• *  “Tarquinio!” Bill Mathews, Antiquarian Funks, Community Music School Concert Series, Santa Cruz, Capitola, July 2001 (Merula).
• *  “Medieval/Renaissance Christmas Celebration,” Jean Widaman, All Saints Episcopal Church, Carmel, December 1999 (chant, carols).
• *  "Christmas Revels," Shelley Phillips, Our Lady of Perpetual Help Chant Choir, St. John Baptist Episcopal Church, December 1998 (plainchant, traditional, B. Strozzi).
• *  “Viol, Viola! England’s Golden Age of Music,” George Houle, Fromm Institute for Lifelong Learning, San Francisco, October 1998 (Dowland, Lawes, Jenkins).
• *  "Jewish Composers of the Renaissance and Early Baroque," Bill Mathews, Antiquarian Funks, Temple Beth El, Aptos, March 1998 (S. Rossi, A. Bassano, T. Lupo, J. Bassano).
• ***  "Voices and Viols," Lombardi, California Gamba Consort, Gene Lewis, Santa Cruz Renaissance Singers, Calvary Episcopal Church, Santa Cruz, January 1998 (Purcell, O. Gibbons, T. Lupo).
• ***  "Concerts for Children," Lombardi, California Gamba Consort, AFM Local 153, Santa Cruz Chamber Players, Santa Cruz County Elementary Schools, Capitola, Live Oak, Santa Cruz, Watsonville (800 children), September 1997 (Ferrabosco, Ortiz, Lupo, Johnson, Hely, D. Goldstein, popular and traditional songs),
• *  "Advent Lessons and Carols," Jane Boothroyd, St. Bedes Episcopal Church, Menlo Park, December 1996 (J. S. Bach).
• ***  "Happy Moments: Rediscovered Treasures from Baroque Times," Lombardi, Santa Cruz Chamber Players, Santa Cruz, November 1996 (F. Caccini, I. Leonarda, E. J. de la Guerre, M. Marais, M. P. de Montéclair, J.-M. Leclair).
• *  "Baroque Recital," Joshua Shektir, Ensemble Bella Musica, California Lutheran University, Thousand Oaks, July 1996 (Riccio, Handel, Pepusch, Aubert, Marais, Telemann).
• *  "Eine Kleine Funkmusik," Bill Mathews, Antiquarian Funks, St. John Baptist Episcopal Church, Capitola, Boomeria, Bonny Doon, July 1996 (Schmeltzer, Schuetz, Sweelinck, Schein, Rosenmüeller).
• *  "These Ever Present Ways," Sasha Bogdanowitsch, composer, graduate recital, University of California, Santa Cruz, June 1996 (cornetto, viola da gamba, bass and alto sackbuts, two marimbas).
• ***  "Heart’s Ease," Lombardi, California Gamba Consort, Berkeley Festival Fringe, First Congregational Church, Loper Chapel, Berkeley, June 1996 (Gibbons, Campion, Hely, Lupo, Simpson, Purcell, Hume, Dowland, Ferrabosco, Johnson, Jenkins, A. Boleyn, Goldstein, Berlin, Silverwood, Frankenstein, Roger, Hart).
• *  "Lenten Devotional concert," Jane Boothroyd, St. Bede’s Choir and Orchestra, St. Bede’s Episcopal Church, Menlo Park, February 1996 (Charpentier).
• ***  "Heart’s Ease," Lombardi, California Gamba Consort, Chamber Music in Colton Hall, Monterey, February 1996 (Gibbons, Campion, Hely, Lupo, Simpson, Purcell, Hume, Dowland, Ferrabosco, Johnson, Jenkins, A. Boleyn, Goldstein, Berlin, Silverwood, Frankenstein, Roger, Hart).
• **  "Rediscovered Treasures of the Baroque," Lombardi, Santa Cruz Chamber Players, Santa Cruz, Felton, January 1996 (Buxtehude, Barsanti, Dreyer, Philidor, de la Guerre).
• ***  "Holiday Concert," Lombardi, California Gamba Consort, Pope Gallery Concert Series, Santa Cruz, December 1995 (Lupo, Johnson, Ferrabosco, Gibbons, Simpson, Ortiz, Ste. Colombe, Handel, Hely, Goldstein, Berlin, Frankenstein).
• ***  "Bach to Baroque," Lombardi, Santa Cruz Chamber Players, Santa Cruz, Live Oak, November 1995 (Purcell, Handel, Bach, de la Guerre, Ste. Colombe, Marais).
• *  "Early Music for Voices and Instruments," Bill Mathews, Antiquarian Funks, Gene Lewis, Santa Cruz Chorale, Santa Cruz, Watsonville, November 1995 (Schütz, Lupo, Purcell, Gabrielli).
• *  "Música Barroca y Romántica de las Américas," John Warren, Eleanor Hague Manuscript, New World Baroque Orchestra-San Luis Early Music Consort, UCLA Conference, Sor Juana Inés de la Cruz and Baroque Theatricality, May 1995, Paso Robles Foundation for Culture and the Arts, June 1995 (Boismortier, Ortiz, Purcell, Lully, Campra, Anonimo).
• *  "Where’s Gesualdo? An Early Music Treasure Hunt," Bill Mathews, Antiquarian Funks, Santa Cruz, Capitola, February 1995 (Gesualdo, Lupo, Colonna, Rosenmúller, Schop).
• ***  "Renaissance and Baroque Music for Bass Viols and Lute," Lombardi, California Gamba Consort, First Night Monterey, Colton Hall Museum, December 1994 (Hume, Dowland, Jenkins, Marais, Ste. Colombe, J. J. Fux).
• ***  "Heart’s Ease," Lombardi, Santa Cruz Chamber Players, Santa Cruz, Felton, October 1994 (Gibbons, Campion, Hely, Lupo, Simpson, Purcell, Hume, Dowland, Ferrabosco, Johnson, Jenkins, A. Boleyn, Goldstein, Berlin, Silverwood, Frankenstein, Roger, Hart).
• *  "Musicke for His Majesty’s Sagbutts & Cornets," Bill Mathews, Antiquarian Funks, Santa Cruz, February 1994 (Ferro, Weckmann, Hammerschmidt, Quagliati, Buonamente, Schop, Schútz).
• ***  "La Musica! Four Centuries of Women Making Music," Lombardi, Santa Cruz Chamber Players, Santa Cruz, Felton, January 1994, First United Methodist Church, Campbell, California, March 1994 (Leonarda, de la Guerre , A.A. von Preussen, A. Mahler, L. G. Villa-Lobos (West Coast premiere), M. A. Szymanowska, P. Viardot-Garcia, A. M. C. Beach, E. L. Diemer, C. Herman, C. Urner).
• *  "Flauti dolci," Carol Panofsky, Santa Cruz Chamber Players, Santa Cruz, Felton, November 1993 (Jacopo da Bologna, Dufay, Frye, Hofhaimer, Henry VIII).
• *  "All’s Well That Ends Well," Barbara Damashek, Shakespeare Santa Cruz, UCSC Glen, Summer 1993.
• *  “A Musical Genealogy,” Bill Mathews, Antiquarian Funks, Soquel, Santa Cruz, May 1993 (Gabrieli, Schüetz, Rosenmüller, Vierdanck).
• ***  "String Fantasies, Dances & Sonatas," Lombardi, Santa Cruz Chamber Players, Santa Cruz, Felton, January 1993 (São João, Hingeston, Hume, Pucell, Lawes, Tomasini, Boccherini, Legrenzi).
• *  "This is for the Birds!" Carol Panofsky, Native Animal Rescue, Santa Cruz, May 1992 (Williams, Morley, Boismortier, Babell, Wolkenstein, Couperin).
• *  "A concert of 17th and 18th Century Chamber Music," Carol Panofsky, University of California, Santa Cruz, Cowell College, Provosts House, April 1992 (Locke, J.S. Bach, Purcell, Handel).
• *  "Ensaladas: Mixed Musical ‘Salads’ from Renaissance Spain," Bill Mathews, Antiquarian Funks, Santa Cruz, April 1992 (Flecha, Aguilera de Heredia, Peñalosa, Anon from Cancionero del Palacio).
• ***  "Classical Chamber Music from Haydn to Ravel," Lombardi, Santa Cruz Chamber Players, Santa Cruz, Felton, March 1992 (baryton: Haydn, Tomasini).
• *  "Baroque Big Band!" Bill Mathews, Antiquarian Funks, Santa Cruz, January 1992 (Banchieri, Priuli, Buonamente, Usper, Tolar, Vintz, Scheidt, Gabrieli).
• ***  "Evergreen Baroque," Lombardi, Santa Cruz Chamber Players, Santa Cruz, November 1991 (Telemann, de la Guerre, Marais, J. S. Bach, Vivaldi).
• *  "Pleasures of the Gods," Robert Fenwick, Santa Cruz Chamber Players, Santa Cruz, March 1991 (Couperin, Lully, Rameau).
• *  "Music of Abbatini and Castello; Rediscovered Treasures of the Early Baroque: Italian Sonatas and Arias from 1620- 1660," Bill Mathews, Antiquarian Funks, Santa Cruz, February 1991.
• **  "From Telemann to Haydn," Lombardi, Chamber Music in Transition on Period Instruments, Santa Cruz Chamber Players, Santa Cruz, Felton, November 1990 (baryton, viol, Haydn, Telemann, Zelenka).
• *  "Voice of Vision: Songs and Illuminations of Hildegard of Bingen," Amanda Simmons, Santa Cruz, July 1990.
• **  "French Baroque Music and Dance from the Court of the Sun King," Santa Cruz Chamber Players, Santa Cruz, April 1990 (Dornel, Marais, Rebel, Couperin, Lully).
• **  "Baroque A-Z," Santa Cruz Chamber Players, Santa Cruz, Watsonville, Ben Lomond, December 1989 (Abel, J. S. Bach, Handel, Telemann, Zachow).
• **  "Music from Shakespeare’s Time," Santa Cruz Chamber Players, Santa Cruz, Watsonville, Ben Lomond, October 1989 (Blanks, Johnson, Morley, Jones, Edwards, Pilkington, Lupo, Dowland, Gibbons, Parsley, Hume, Weelkes, Bennet).
• **  "Baroque Surprise,” Santa Cruz Chamber Players, Santa Cruz, Ben Lomond, February 1989 (Purcell, Locke, J. S. Bach, Parcham, Montéclair).
• **  "Baroque Virtuosi," Santa Cruz Chamber Players, Santa Cruz, Watsonville, Ben Lomond, December 1988 (Telemann, Babell, J. S. Bach, Rameau, Vivaldi).
• *  "Baroque Roots," Bill Mathews, Antiquarian Funks, Santa Cruz, November 1988 (Kindermann, Picchi, Turini, Cesare, Biber, Legrenzi, Castello, Jarzcbski, Antonii, Brade).
• *  "Music for St. Cecilia’s Day," Gene Lewis, Santa Cruz Chamber Players, Watsonville, November 1988 (Brade, Jenkins, Byrd).
• ***  “An Hour’s Recreation in Music," Lombardi, Mary Tilton, Musica Sonora, Community Chamber Music Association, Bloomington, Indiana, June 1988 (Telemann, J.S. Bach, Corelli).
• *  "Baroque Before Bach," Bill Mathews, Antiquarian Funks, Santa Cruz, January 1988 (Ferro, Castello, Weckmann, Legrenzi, Brade, Turini, Marini, Gussago).
• ***  "The Woman Scholar in Music: Anonymous, a Woman?" Lombardi, Gabrielle Stocker, Western Association of Women Historians, UC Davis, May 1987 (Anon, Morley, Ortiz, Handel, Hume).
• **  "The Chromatic Tradition," Linda Burman-Hall, Festival Players, Lombardi, Santa Cruz Festival Viols, Santa Cruz Baroque Festival, Santa Cruz, Carmel Mission, May 1987 (Purcell, Gesualdo).
• **  "Scottish Folk and Baroque," Linda Burman-Hall, Festival Players, Lombardi, Santa Cruz Festival Viols, Santa Cruz Baroque Festival, Watsonville, Santa Cruz, Mission San Jose, April 1987 (Anon, Barsanti, Kinloch, Haydn).
• *  "Baroque Birthday Celebration," Linda Burman-Hall, Festival Players, Santa Cruz Baroque Festival, Santa Cruz, Mission San Jose, Carmel Mission, March 1987 (Geminiani, Scheidt, Buxtehude).
• *  "Senior Recital, Amanda Simmons," University of California, Santa Cruz, Board of Studies in Music, February 1987 (Montéclair, Handel).
• *  "Birth of the Baroque," Bill Mathews, Antiquarian Funks, Santa Cruz, November 1986 (Riccio, Merula, Anon, Hume, Quagliati, Fantini, Schutz, Picchi).
• *  "Treasures of the High Baroque," Linda Burman-Hall, Festival Players, Santa Cruz Baroque Festival, Watsonville, Santa Cruz, May 1986 (Couperin, Hotteterre, Telemann, Rameau).
• *  "Virtuoso Discoveries," Linda Burman-Hall, Festival Players, Santa Cruz Baroque Festival, Watsonville, Santa Cruz, April 1986 (Castello, Barsanti, Cesare, A. Gabrieli, Macque, Merula, Vasquez, Hidalgo, Castello).
• *  "Giovanni!" Bill Mathews, Antiquarian Funks, Santa Cruz, November 1985 (Valentini, Priuli, Coprario, Legrenzi, Fontana, Nanino).
• *  "Bachanalia," Linda Burman-Hall, Festival Players, Santa Cruz Baroque Festival, Santa Cruz, May 1985.
• *  "Handel Extravaganza," Linda Burman-Hall, Festival Players, Santa Cruz Baroque Festival, Santa Cruz, February 1985.
• *  "Faculty Recital, John Hsu," University of California, Santa Cruz, Board of Studies in Music, February 1985 (Telemann, Marais).
• *  "Baroque 'Buts & Guts'," Bill Mathews, Antiquarian Funks, Santa Cruz, October 1984 (Merula, Farina, Cesare, Vejvanovsky, Castello, Schmelzer).
• *  "Bach & the French Connection," Linda Burman-Hall, Festival Players, Santa Cruz Baroque Festival, Capitola, Santa Cruz, May 1984 (J. S. Bach, Marais, Boismortier).
• *  "Baroque Follies," Linda Burman-Hall, Festival Players, Santa Cruz Baroque Festival, Watsonville, Santa Cruz, February 1984 (Coferati, Montesardo, Stefani, Frescobaldi, Romero, Giramo, Corelli, Marais, Ortiz, Mazzella, Falconiero).
• *  "Rameau and the French Baroque," Linda Burman-Hall, Festival Players, Santa Cruz Festival of Living Music, Capitola, Santa Cruz, April 1983 (Morel, Rebell, Rameau).
• **  "Chapel, Court & Countryside," Linda Burman-Hall, Festival Players, Lombardi, Santa Cruz Festival Viols, Santa Cruz Festival of Living Music, Santa Cruz, April 1983 (O. Gibbons, Bull, East, Hume, Morley, Nicholson).
• *  "Baroque Dance Music, in costume and by candlelight," Linda Burman-Hall, Festival Players, Santa Cruz Festival of Living Music, Watsonville, Soquel, March 1983 (Locke, Boismortier, Matteis, Marais, East, Morley, Morel, Rameau).
• *  "Frescobaldi and the Italian 17th Century," Linda Burman-Halll, Festival Players, Santa Cruz Festival of Living Music, Santa Cruz, March 1983 (Frescobaldi, Luzzaschi, Banchieri).
• *  "The Virtuoso Viol—John Hsu," Festival Players, Santa Cruz Festival of Living Music, Santa Cruz, February 1983 (Telemann, Marais).
• *  "Music at the Library," Gene Lewis, Santa Cruz Chamber Players, Santa Cruz, January 1983 (Lupo, Cima, Castello, Telemann, Marais).
• ***  "A Baroque Recital," Lombardi, Mary Tilton, Community Chamber Music Association, Bloomington, Indiana, August 1982 (Telemann, Marais, J.S. Bach).
• *  "Music at the Library," Gene Lewis, Santa Cruz Chamber Players, Santa Cruz, June 1982 (Dunstable, Purcell).
• *  "Bach and Handel Extravaganza," Linda Burman-Hall, Festival Players, Santa Cruz Festival of Living Music, Watsonville, Santa Cruz, May 1982.
• *  "French Baroque Delights," Linda Burman-Hall, Festival Players, Santa Cruz Festival of Living Music, Santa Cruz and San Francisco, March 1982, Vatican exhibit reception, Palace of Legion of Honor, San Francisco, May 1982, J. Paul Getty Museum, Malibu, May 1982 (Rebel, Marais, Montéclair, Leclair, Bernier).
• *  "Baroque Recital: Music of Rameau and Bach," Linda Burman-Hall, Festival Players, Santa Cruz Festival of Living Music, Santa Cruz, May 1981 (J. S. Bach, Rameau).
• *  "Baroque Recital: French and German Chamber Music," Linda Burma-Hall, Festival Players, Santa Cruz Festival of Living Music, Aptos, Santa Cruz, May 1981 (Handel, J. S. Bach, Telemann, Montéclair).
• *  "Chamber Music of J. S. Bach," Linda Burman-Hall, Festival Players, Santa Cruz Festival of Living Music, Watsonville, Santa Cruz, January 1981 (J. S. Bach).
• *  "Invitational Baroque Recital in Costume and by Candlelight," Linda Burman-Hall, Festival Players, Santa Cruz Festival of Living Music, Aptos, January 1981 (Loeillet, Handel, Marais, Telemann).
• ***  "Lutes and Viols," Galilei Ensemble, Paul Beier, Franklin Lei, Lombardi, Old First Church, San Francisco, March 1980, Mendocino Inn, June 1980 (Ortiz, Galilei, Frescobaldi, Terzi, Ferrabosco, Marais).
• *  "Tribute to J. S. Bach," Linda Burman-Hall, Festival Players, Santa Cruz Festival of Living Music, Watsonville, Santa Cruz, April 1980 (J. S. Bach).
• **  “300 Years of Butterfly Music,” Festival Players, Santa Cruz Festival of Living Music, Santa Cruz, February 1980 (Blow, J. E. Bach).
• *  "Folk and Baroque: Chamber Music Delights from France and Italy," Linda Burman-Hall, Festival Players, Santa Cruz Festival of Living Music, Santa Cruz, February 1980 (Marais, Clérambault, Marini, Quagliati).
• ***  "Early Chamber Music," Lombardi, Santa Cruz Festival Viols, Live Oak Senior Center, Cedar Street Cafe, Santa Cruz, March 1979, December 1979 (Ortiz, Jenkins, White, Ward, Marais).
• *  “Celebration Arts: Baroque Chamber Music,” University of California, Santa Cruz, October 1979.
• *  "Concert of Baroque Music," University of California, Santa Cruz, College V, June 1979 (Handel, Marais, Vivaldi).
• *  "French Baroque Chamber Music," Linda Burman-Hall, Festival Players, Santa Cruz Festival of Living Music, Santa Cruz, Capitola, May 1979 (Marais, Montéclair, Couperin).
• *  "Musical Intoxicants," Linda Burman-Hall, Festival Players, Santa Cruz Festival of Living Music, Santa Cruz, April 1979 (G. H. Bach, J. S. Bach, Purcell).
• *  "Spanish Baroque and Flamenco," Linda Burman-Hall, Festival Players, Santa Cruz Festival of Living Music, Watsonville, Santa Cruz, February 1979 (Valenciano, Anon, Ortiz, Hidalgo, Navas).
• ***  "Baroque Chamber Music Delights for Early Instruments," Lombardi, University of California, Santa Cruz, Board of Studies in Music, Santa Cruz, October 1978 (Ortiz, Jenkins, White, Ward, Coprario, Lawes, Couperin, Marais).
• **  “Bird Music,” Linda Burman-Hall, Santa Cruz Festival of Living Music, Aptos, Santa Cruz, April 1978 (Woodycock, Morley, Biber, Telemann).
• *  “Chicken Music,” Bill Mathews, Antiquarian Funks, Linda Burman-Hall, Santa Cruz Festival of Living Music, Santa Cruz, February 1978 (Praetorius, Merula).
• *  “Baroque Chamber Music Recital,” Linda Burman-Hall, Santa Cruz Festival of Living Music, Los Angeles, Davis, Santa Cruz, July 1977 (Handel, Morley, Frescobaldi, Vivaldi).
• *  "Baroque Recital," Linda Burman-Hall, Santa Cruz Festival of Living Music, Santa Cruz, August 1976 (Locatelli, Blavet).
• *  "Play of Daniel," Early Music Ensemble, D. Kern Holoman, University of California Davis, tour: Davis, San Diego, Irvine, Santa Cruz, Berkeley, San Francisco, Sacramento, December 1975- February 1976.
• *  “Monteverdi Vespers 1610,” Early Music Ensemble, D. Kern Holoman, University of California Davis, Sacramento, San Francisco, April, May, June 1975.
• *  “Triumph of Peace” masque, Early Music Ensemble, D. Kern Holoman, University of California Davis, Sacramento, San Francisco, February, April, May 1974 (W. Lawes, Jenkins).

teaching, coaching, performance-demonstrations

• Private studio, 1974-
• Applied Music Instructor, Cabrillo College, Aptos, 2002, 2003.
• Play Day Coach, Viola da Gamba Society of America, Pacifica Chapter, Oakland, March 2002.
• Performance-demonstration: Cabrillo College, Aptos, 1990, 2001.
• Performance-demonstration: Elementary and Middle Schools, Santa Cruz county, 1984, 1989, 1997, 2001.
• Faculty assistant, consort coach, Viola da Gamba Society of America, Conclave, Boulder, Colorado, 1985.
• Instructor, University of California, Santa Cruz, Board of Studies in Music, 1977-80.

ensembles, festivals, series (summary)

• California Gamba Consort, Santa Cruz Festival Viols, Lombardi, founding director, 1977-
• Antiquarian Funks, Bill Mathews, Santa Cruz, 1984-
• Santa Cruz Chamber Players, Lombardi, artistic co-director, founding member, later president, of board of directors, concert management and production, 1982-97.
• Santa Cruz Baroque and Living Music Festivals, Festival Players, founding board of directors, personnel, concert production, Linda Burman-Hall, 1977-87.
• University of California Santa Cruz, Viol Consort, Lombardi, founding director, 1977-80.
• University of California Santa Cruz, Baroque Ensemble, Lombardi, co-director, 1977-80.
• Unicornucopian Consort, Chris Lee, Davis, 1974-77.
• University of California Davis, Early Music Ensemble, D. Kern Holloman, 1974-77.

chamber music concert colleagues (summary)

• viola da gamba: Penny Hanna, Joel Schaefer, John Hsu, Patricia Halvorsen, George Houle, Glenna Houle, Dalton Cantey, Leslie Hirsch, Larry Selman, Julie Jeffrey, Martha McGaughey,
• singers: Suzanne Duvall, Carol Howe Boomer, Mary Rawcliffe, Debra Spencer, Gene Lewis, Ann Glassner, Vismaya Lhi, John Hajdu, Kathleen Nitz, Jane Boothroyd, Carol Plantamura, Nancy Zylstra, Amanda Simmons, Harlan Hokin, James Courtney
• keyboard: Josephine Alvarado, Vera Kochanowsky, Bill Visscher, Mary Tilton, Jonathan Salzedo, Eric Kinsley, Ann Elizabeth Thiermann, John Warren, Martha Hagen, Robert Scarlett, Linda Burman-Hall
• winds: Bill Mathews, Gabrielle Stocker, Eli Hollander, Shelley Phillips, Lars Johannesson, Leta Miller, Carol Panofsky, Dorothee Follmi-Schmetz, Stephen Schultz
• violin, viola, cello: Joshua Shekhtir, Leslie Hirsch, Genette Foster, Carla Spencer, Karen Andrie, Herbert Meyers, Daria D’Andrea, Susan C. Brown, Lisa Antonino, Cynthia Koppelman, Nancy Kvam, Willy Juncosa
• lute: Hideki Yamaya, Gene Lewis, Paul Beier, Franklin Lei

teaching, coaching—viola da gamba, chamber music

• Private studio, 1974-
• Applied Music Instructor, viola da gamba, Cabrillo College, Aptos, Spring, Fall, 2002.
• Play Day Coach, Viola da Gamba Society of America/Pacifica Chapter, Oakland, March 2002.
• Performance-demonstration: Cabrillo College, Aptos, 1990, 2001; Elementary and Middle Schools, Santa Cruz, 1984, 1989, 1997, 2001.
• Faculty assistant, consort coach, Viola da Gamba Society of America Conclave, Boulder, Colorado, 1985.
• Instructor, University of California, Santa Cruz, Board of Studies in Music, private, group lessons, viol consorts, baroque chamber music, 1977-80.

arts administration—concert management and production

• California Gamba Consort, 1994-98.
• Santa Cruz Chamber Players, 1990-97.
• Santa Cruz Festival Viols, 1977-94.
• Santa Cruz Baroque, Living Music, Festivals, 1977-87.

teachers, master classes, workshops—viola da gamba

• John Hsu: Cornell University Summer Viol Program, Ithaca, New York, 1982, 1983, 1985.
• Aston Magna Academy, French Baroque, Great Barrington, Massachusetts, 1982.
• Wieland Kuijken: Smithsonian Institution, Washington, D.C., Bolinas, California, 1981, International Summer Academy for Ancient Music, Innsbruck, Austria, 1979.
• Martha McGaughey: private lessons, 1980-81.
• Mary Springfels: Vancouver Society for Early Music, Baroque Music Workshop, University of British Colombia, 1980.
• Peggy Sampson: Viola da Gamba Society of America, Western Chapter Workshop, Santa Barbara, 1974, 1978, Early Music Workshop, University of Victoria, British Columbia, 1975.
• Ruth Adams, Jim Lockhart, UCLA, 1972-73.

concert performances—cello

• Rio de Janeiro chamber music, Symphony concert, Brazil, 1971.
• Evansville Symphony, Indiana, 1970.
• New Symphony Orchestra, Michael Bartos, New York City, 1967-69.
• Caecelian Society Orchestra, Michael Bartos, New York City, 1965-67.
• Shenandoah Valley Festival Orchestra, West Virginia, American Symphony Orchestra League workshop for conductors, 1965.
• Pasadena Symphony Orchestra, California, Richard Lert, 1961-62.
• Senior Recital, Occidental College, Los Angeles, 1961.
• All-California High School Orchestra, Santa Barbara, 1957.
• All-City Orchestra, Los Angeles, 1956-57.

teachers—cello

• Janos Starker, Bloomington, Indiana (auditor, master classes), 1970.
• Harvey Shapiro, New York City, 1966-68.
• Joseph DiTullio, Los Angeles, 1959-65.

● Radio DJ, Classical music KUSP Santa Cruz 88.9 FM, kusp.org
Central Coast Public Radio, Santa Cruz, Monterey, San Benito, San Luis Obispo, San Ardo, Big Sur, and cable frequencies

programmer, host, engineer—weekly broadcasts

Since 1978, three to four hour programs, with various titles: “A Musical Offering” “Music for a Viol,” “Baroque Tonics,” “Pizzicato.” Shows feature composers from earliest times to almost yesterday. Frequent focus on viola da gamba, chamber music, piano, vocal, choral music, baroque, renaissance, medieval, classical and contemporary eras, not excluding many other choices. During women’s history month of March, and throughout the year, programs spotlight women composers. Weekly playlists available online since 2001 at musicandwords.net, for 1987-89 in the KUSP Review, and for 1985-87 in Prelude, the monthly magazine of classical music and the arts for the Monterey Bay Area.

host—remote broadcasts

During 1980s-90s, hosted live broadcasts from KUSP Remote Van at Carmel Bach, Cabrillo Music, and other festivals and concert series. Edited and hosted delayed broadcasts of concerts recorded live.

● Historian, Writer

• Book on-line: Cantar é Viver / To Sing Is To Live: The Choral Music of Lucília Guimarães Villa-Lobos, 2002. [http://musicandwords.net/lucilia.pdf]
• Program notes, Translations: "Lucília Guimarães Villa-Lobos," 3rd International Festival of Women Composers, University of Florida, Gainesville, 1999.
• Encyclopedia article: "Anita Malfatti" Encyclopedia of Latin American History and Culture, vol. 3, Scribner’s, 1996.
• Encyclopedia article: "Modern Art Week (Brazil)" Encyclopedia of Latin American History and Culture, vol. 4, Scribner’s, 1996.
• Encyclopedia article: "Tarsila do Amaral" Encyclopedia of Latin American History and Culture, vol. 1, Scribner’s, 1996.
• Book reviews: "Gender and the Musical Canon (Cambridge University Press, 1993), Rediscovering the Muses: Women’s Musical Traditions (Northeastern University Press, 1993)," Gender & History, vol.7, no.2, 1995.
• Program notes: "Bach to Baroque" Santa Cruz Chamber Players, 1995.
• Program notes: "La Musica! Four Centuries of Women Making Music" Santa Cruz Chamber Players, 1994.
• Program notes: "Heart’s Ease," Santa Cruz Chamber Players, 1994.
• Program notes: "String Fantasies, Dances & Sonatas," Santa Cruz Chamber Players, 1993.
• Program notes: "Classical Chamber Music from Haydn to Ravel," Santa Cruz Chamber Players, 1992.
• Program notes: "Pleasures of the Gods," Santa Cruz Chamber Players, 1991.
• Program notes: "Evergreen Baroque," Santa Cruz Chamber Players, 1991.
• Program notes: "French Baroque Music and Dance from the Court of the Sun King," Santa Cruz Chamber Players, 1990.
• Program notes: "From Telemann to Haydn: Chamber Music in Transition," Santa Cruz Chamber Players, 1990.
• Series brochure article: “Tenth Anniversary,” a brief history. Santa Cruz Festival of Living Music, 1980; revised, Santa Cruz Baroque Festival, 1981-87.
• Series brochure article: “Instruments, The,” Santa Cruz Festival of Living Music, 1980; revised, Santa Cruz Baroque Festival, 1981-87.
• Quarterly listening guide article: "Listo-o-mania: Personal Top Ten, Classical," KUSP Review, Vol. 6, No. 4, Oct-Nov 1985.
• Newsletter meeting report: "Central America: the Historical Perspective" The Institute for Historical Study Newsletter, Vol. V, No. 3, May-June 1984.
• Program Notes: "Baroque Follies" Santa Cruz Baroque Festival, 1984.
• Program Notes: "Virtuoso Viol—John Hsu," Santa Cruz Festival of Living Music, 1983.
• Program Notes: "Baroque Recital," Community Chamber Music Association, Bloomington, Indiana, 1982.
• Research paper: "Lucília Guimarães Villa-Lobos: Brazilian Composer, Conductor, and Pianist," Western Association of Women Historians, Conference XIV, The Huntington, San Marino, 1982.
• Series brochure article: “Tenth Anniversary,” a brief history. Santa Cruz Festival of Living Music, 1980; revised, Santa Cruz Baroque Festival, 1981-87.
• Series brochure article: “Instruments, The,” Santa Cruz Festival of Living Music, 1980; revised, Santa Cruz Baroque Festival, 1981-87.
• Program notes: "Baroque Chamber Music Delights for Early Instruments" UCSC Board of Studies in Music, 1978.
• Ph.D. dissertation: "Women in the Modern Art Movement in Brazil: Salon Leaders, Artists and Musicians, 1917-1930." University of California Los Angeles, 1977.
• Research paper: "Modern Women and Modern Arts in Twentieth Century Brazil" West Coast Association of Women Historians, Conference VIII, Encino, CA, 1976.
• Journal article: "The Frontier in Brazilian History: An Historiographical Essay," Pacific Historical Review, vol. 44, No. 4, November 1975, pp. 437-457.
• Book: Brazilian Serial Documents: a Selective and Annotated Guide, Indiana University Press, 1974.
• Graduate research paper: “Paper: a sacred material in Aztec ritual,” Latin American Studies, Indiana University Bloomington, 1970.

● Indexer, Librarian, Teacher

• KUSP-FM, Music recordings library. Technical services librarian: selection, classification, 1985-
• Indexing business: Lombardi Indexing Services, 1972-1992 (selective list below).
• Adjunct faculty, San Jose State University Graduate School of Library and Information Science. Indexing, classification, bibliography, cataloging, 1978, 1979.
• Summer faculty, University of Southern California School of Library Science. Collections, cataloging, classification, 1972, 1973.
• Herstory Index. Indexer, 1970s.
• Community college libraries, Santa Monica, West Los Angeles, Valley, Glendale, Los Angeles. Reference, cataloging, classification, 1971-74.
• University of California Los Angeles, Research Library. Reference, bibliography, 1964-65, 1971-74.
• Seminar leader, with D. J. Foskett (London, England), Instituto Brasileiro de Bibliografía e Documentação, Rio de Janeiro. Bibliographical control, organization of knowledge, 1971.
• Indiana University, Bloomington. Latin American bibliography, 1969-71.
• H.W. Wilson Company, Bronx, New York. Indexer, Library Literature, 1967-69.
• Julliard School, New York, Library. Cataloging, classification, New York, 1967.
• New York Public Library, Lincoln Center. Reference, 1966.
• New York Public Library, 42nd Street and 5th Avenue. Reference, 1965.
  
  ● Lombardi Indexing Services (selective list)
          College textbooks and University press books (selective list)
• Declaring Independence, Jefferson, Natural Language, and the Culture of Performance, by Jay Fliegelman (Stanford University Press, 1992).
• An Administrator’s Perspectives on the Community College: Essays by John Lombardi, edited by Arthur M. Cohen (Washington DC, American Council on Education, 1992).
• Chronotypes: the Construction of Time, edited by John Bender and David E. Wellbery (Stanford University Press, 1991).
• Latin American Women and the Search for Social Justice, by Francesca Miller (University Press of New England, 1991).
• The Ends of Rhetoric: History, Theory, Practice, edited by John Bender and David E. Wellbery (Stanford University Press, 1990).
• Erotic Faith: Being in Love from Jane Austin to D. H. Lawrence, by Robert M. Polhemus (University of Chicago Press, 1990).
• Power and Difference: Gender in Island Southeast Asia, edited by Jane Monnig Atkinson and Shelly Errington (Stanford University Press, 1990).
• Public Relations Writing, 3rd edition, by Douglas Ann Johnson Newsome and Bob J. Carrell (Wadsworth/Cooper, 1990).
• Reading and writing [teaching of], by M. Harp and JoAnn Brewer (Harcourt Brace Jovanovich /Cooper 1990).
• Women, Culture, and Politics in Latin America, by Seminar on Feminism and Culture in Latin America (University of California Press, 1990).
• Deviant Behavior, 3rd edition, by E. Goode (Prentice- Hall/Cooper, 1989).
• The Sociology of Public Issues, by Steven L. Nock and Paul W. Kingston (Wadsworth/Cooper, 1989).
• The American Evasion of Philosophy: A Genealogy of Pragmatism, by Cornel West (University of Wisconsin Press, 1988).
• Categorization and Naming in Children: Problems of Induction, by Ellen M. Markman (MIT Press, 1988).
• Chernyshevsky and the Age of Realism: a Study in the Semiotics of Behavior, by Irene Paperno (Stanford University Press, 1988).
• The Constitutional Rights of Women: Cases in Law and Social Change, by Leslie Friedman Goldstein (University of Wisconsin Press, 1988). A case index.
• Leo Spitzer: Representative Issues, edited by Alban K. Forcione et al. (Stanford University Press, 1988).
• The State and Rural Transformation in Northern Somalia, 1884-1986, by Abdi Ismail Samatar (University of Wisconsin Press, 1988).
• The End of Kinship: ‘Measure for Measure,’ Incest, and the Idea of Universal Siblinghood, by Marc Shell (Stanford University Press, 1987).
• Companion to a Sand County Almanac: Interpretive and Critical Essays, edited by J. Baird Callicott (University of Wisconsin Press, 1987).
• The Excesses of God: Robinson Jeffers as a Religious Figure, by Willim Everson (Stanford University Press, 1987).
• Imagining the Penitentiary: Fiction and the Architecture of Mind in Eighteenth-century England, by John Bender (University of Chicago Press, 1987).
• Violent Origins: Ritual Killing and Cultural Formation, edited by Robert G. Hamerton-Kelly (Stanford University Press, 1987).
• Effective Helping: Interviewing and Counseling Techniques, 3rd ed., by Barbara Okun (Brooks/Cole, 1986).
• Idylls of the Marketplace: Oscar Wilde and the Victorian Public, by Regenia Gagnier (Stanford University Press, 1986).
• Law and the Shaping of Public Education, 1785-1954, by David Tyack, Thomas James, and Aaron Benavot (University of Wisconsin Press, 1986).
• Three Psychologies, by Robert D. Nye (Brooks/Cole, 1986).
• Chronic Illness, by Ilene Lubkin (Wadsworth Health Sciences, 1985).
• J. S. Bach as Organist: His Instruments, Music, and Performance Practices, edited by George Stauffer and Ernest May (Indiana University Press, 1985).
• Rancho LaBrea: Treasures of the Tar Pits, edited by John M. Harris and George T. Jefferson (Natural History Museum of Los Angeles County, 1985).
• A Creative Approach to Music Fundamentals, 2nd ed., by William Duckworth (Wadsworth Publishing Co., 1984).
• The Doctor’s Computer Handbook, by P. J. Fell and W. D. Skees (Lifetime Learning Pubs, 1984).
• Humanistic Nursing Process, by Elaine L. LaMonica (Wadsworth Health Sciences, 1984).
• Living in the Environment, 4th ed., by G. Tyler Miller (Wadsworth Publishing Co., 1984).
• Notable Family Networks in Latin America, by Diana Balmori, Stuart F. Voss, and Miles Wortman (University of Chicago Press, 1984).
• Oceanography, 3rd ed., by D. E. Ingmanson and W. J. Wallace (Wadsworth Publishing Co., 1984).
• Blake’s Prophetic Psychology, by Brenda S. Webster (University of Georgia Press, 1983).
• After the Gold Rush: Society in Grass Valley and Nevada City, 1849-1870, by Ralph Mann (Stanford University Press, 1982).
• Before You Invest in a Small Business Computer: Essential information for First-Time Buyers, by William D. Skees (Wadsworth, 1982).
• Covering Campaigns, by Peter Clarke and Sue Evans (Stanford University Press, 1982).
• International Arms Control: Issues and Agreements, 2nd ed., edited by Coit W. Blacker and Gloria Duffy (Stanford University Press, 1983).
• Theories of Public Administration, by Robert B. Denhardt (Brooks/Cole, 1983).
• Innovation/Renovation: New Perspectives on the Humanities, edited by Ihab Hassan and Sally Hassan (University of Wisconsin Press, 1982).
• National Union of Women’s Suffrage Societies, 1897-1914, by Leslie Parker Bryant Hume (Garland Press, 1982).
• Power and Politics in America, 4th edition, by Leonard Freedman (Brooks/Cole, 1982).
• Organizing China: The Problem of Bureaucracy, 1949-1976, by Harry Harding (Stanford University Press, 1981).
• Rattlesnakes: Their Habits, Life Histories, and Influence on Mankind, by Laurence M. Kauber abridged by Karen Harvey McClune (University of California Press, 1981).
• Social Work and Dialysis, by C. L. Fortner-Frazier (University of California Press, 1981).
• The Antitheatrical Prejudice, by Jonas Barish (University of California Press, 1980).
• Chicanos in a Changing Society, by Albert Camarillo (Harvard University Press, 1979).
• Counseling Adults, edited by Nancy K. Schlossberg and Alan D. Entine (Brooks/Cole, 1977).
• Women in Spanish America: an Annotated Bibliography from Pre- Conquest to Contemporary Times, by Meri Knaster (G. K. Hall, 1977).
• Letters and People of the Spanish Indies, Sixteenth Century, by James Lockhart and Enrique Otte (Cambridge University Press, 1975).
• How to Father, by Fitzhugh Dodson (Nash Publishing, 1974).

● Memorable employers, miscellaneous, 1958-63 (office, sales, hospitality)

• Survey Research Center, University of California Berkeley
• Yosemite National Park, California
• Computer Control Corporation, Santa Monica
• Sees Candies Stores, Los Angeles
• Kelly Services, California

● Community Service

• Public radio, KUSP-FM, audition and review new recordings (hundreds annually), planning and programming committees, fundraising auctions, pledge drives, and more, 1978-
• Viola da Gamba Society of America, Monterey bay area representative, 1984-
• Moderator, conference panel: “Women’s Creative Process: Re-enchanting Society,” Women’s Caucus for the Arts Monterey Bay Chapter, Santa Cruz Art League, March 1993.
• Girl Scouts of Monterey Bay, board of directors, 1992-95.
• Cultural Council of Santa Cruz County, initial planning, Spectra Arts in Education committees, 1978-79, 1987, 1994.

● Professional memberships

• American Federation of Musicians Local 153, San Jose, California, member, 1988-
• Early Music America, founding member, 1985-
• Institute for Historical Study, San Francisco, founding member, 1985-
• San Francisco Early Music Society, 1975-
• Viola da Gamba Society of America, member, 1975-
• Western Association of Women Historians, member, 1974-

● Education

• University of California, Los Angeles, 1972-77 Ph.D.
• Indiana University, Bloomington, 1969-71 M.A.
• University of California, Los Angeles, 1964-65 M.L.S.
• Occidental College, Los Angeles, 1957-61 B.A.

● Teaching credentials

• California Community Colleges—Lifetime Instructor and Lifetime Librarian Credentials, 1972.

● Honors, awards, fellowships, grants

• KUSP-FM, ‘Pataphysician of the Year, 1989.
• Cornell University Summer Viol Program, scholarships, Ithaca, New York, 1982, 1983, 1985.
• Aston Magna Academy, Inter-disciplinary fellowship, Great Barrington, Massachusetts, 1982.
• Santa Cruz Festival of Living Music, travel grant, Innsbruck, Austria, 1979.
• University of California, Los Angeles, graduate fellowships, 1972-77.
• Foreign Area Fellowship Program, Bibliography, Indiana University, University of California, Los Angeles, Brazil, 1970-73.
• Indiana University, graduate fellowships, 1969-71.
• Sigma Alpha Iota scholarships, Los Angeles, 1960, 1961.
• Occidental College Music Department, scholarships, 1959, 1960.